FALSE POSITIVES
In mathematics the errors grow exponentially when we increase the number of dimensions.
In statistics, as we focus samples to an increasing precision, the probability of errors recurring still affects a full sample. A full integer. A subject.
“Urbanism — city planning — is capitalism’s method for taking over the natural and human environment. Following its logical development toward total domination, capitalism now can and must refashion the totality of space into its own particular decor.” (Guy Debord)
Most development of public infrastructures nowadays is commissioned to private ventures and designed to serve an ideal representation of society that treats participation as a commodity and, in doing so, regards as negative any criticism to its particular decor.
Modern perspectives of social spaces are artificially constructed, sanitised and pure, while the nature of grass-root agency is often regarded as criminal, those who live the spaces and intervene on them are regarded as vandals by top-down planning hierarchies.
Modernist city planning, urged by a streamlined imaginary of fear, has designed places for the monitoring and imprisonment of citizens, while those who have problems relating with this world are regarded as failing humans, as subjects to be corrected, assimilated, de-subjectivated, imprisoned, eliminated.
Cities planned for central domination, as stages of total control, ultimately have to deal with their excess of efficiency in framing all the unpredictable instances generated by human life.
All uses of public infrastructures, from transport to assembly spaces, are regarded as potential sources of danger, while the use of open spaces is restricted by complex codes and constantly monitored.
When the city has become the stage of total control, what is performed on it?



Rolf was the son of Samuel Machnow, a 70 years old writer who
survived Auschwitz concentration camp during the WWII; when his
sister cried for justice, she was fined for protesting. Swedish
writer Peter Birro dedicated to Rolf "Den ömhet jag är värd" - a
romance and theatre piece titled "The tenderness that I deserve".
His mother, father and sister saw him again dead on 22 October at
the morgue. At the moment that they saw him again, he had his
face completely swollen and full of marks.